![]() These spectral and timing differences are a big part of what give us cues about sound localization in the natural world. In addition to this minuscule but important time difference, the presence of your head and face will physically attenuate some of the higher frequencies by the time they get to your left ear. Crossfeed is what occurs when a sound originating from your right makes its way into not only your right ear but also your left.įor example, if you pan something hard right and listen to it on speakers, the direct sound will first arrive at your right ear, and then, no more than a few hundred microseconds later, at your left ear. This is largely due to a phenomenon known as crossfeed. A mix that is created to have imaging that sounds good on speakers is more likely to translate well to headphones than vice versa. In general, stereo imaging-and thus width-tends to be easier to get right on speakers. The main thing to consider is whether you’re mixing on speakers or headphones. However, when you consider that your stereo-related mix decisions will be impacted by the way your monitoring system conveys imaging to you, the reasons may become clearer. You may naturally wonder what monitoring has to do with achieving good stereo width. Use monitors when manipulating stereo width Make use of phase to widen the stereo imageġ.Make sure your stereo imaging decisions don’t hurt your mix in mono.Use monitors when manipulating stereo width.In this article, we’ll look at not only how to achieve good stereo imaging, but also why mono compatibility is still important in 2022, and how the two can coexist. However, achieving this is often easier said than done, especially in a way that measures up to your favorite commercial releases while still offering good mono compatibility. These days, most artists and producers want a wide, spacious stereo image. During the 1960s, though, this started to change, and by the time The Beatles released Abbey Road in 1969, the stereo era was in full swing. As a result, creating a good mono mix during the record production process was the primary focus. From radio to record players, most listeners only had mono playback systems. There was once a time when mono was king.
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